Upon its introduction in 1839, the daguerreotype was hailed as a magical reflection of reality. Today, these early examples of the first practical photographic process offer fascinating windows into the past. The daguerreotypes collected here not only document the birth of photography and its aesthetic and historical legacy but also provide insight into French art and culture. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned followingaan elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.By 1854 he cites his work on the use of collodion, including a manual on the subject. ... PORTRAIT, PHOTOGRAPHER 60.1 (220) Portrait of E. Thiesson ca. ... The Sabatier-Blot material at GEH came from Mme Sibert (possibly Libert, nee Laisne) whose mother is the young girl (Sabatiera#39;s daughter) shown in many of theanbsp;...
|Author||:||Janet E. Buerger, International Museum of Photography at George Eastman House|
|Publisher||:||University of Chicago Press - 1989-11-14|