Born out of the cultural flamboyance and anxiety of the 1980s, They Live (1988) is a hallmark of John CarpenterAs singular canon, combining the aesthetics of multiple genres and leveling an attack against the politics of Reaganism and the Cold War. The decision to cast the professional wrestler ARowdyA Roddy Piper as his protagonist gave Carpenter the additional means to comment on the hypermasculine attitudes and codes indicative of the era. This study traces the development of They Live from its comic book roots to its legacy as a cult masterpiece while evaluating the film in light of the paranoid/postmodern theory that matured in the decidedly ABig 80s.A Directed by a reluctant auteur, the film is examined as a complex work of metafiction that calls attention to the nature of cinematic production and reception as well as the dynamics of the cult landscape.Shot between 1986 and 1988 by Penelope Spheeris and released the same year as They Live, Big Hair abounds in this ... EXCESS American excess became a moral obligation in the financial world, leading up to the stock market crash ofanbsp;...
|Publisher||:||Columbia University Press - 2015-02-17|